Muzikinės natos

Originalus

Sanctus. Petrus de Domarto. A cappella. Sacred , Mass. Language. Latin. TBB.

Vertimas

Sanctus. Petrus de Domarto. Cappella. Šventasis, Mišios. Kalba. Latin. TBB.

Originalus

Transcribed from the Trent manuscript tr89. The time signatures, keys, notes’ values, accidentals and colourings are as in the manuscript. Where the time signature is missing the signature within square brackets is assumed from the context. In the “tempus perfectum” the coloured notes groups containing minims are in “proportio sesquialtera”. 3 vs. , the other ones are “hemiolæ” while in the “tempus imperfectum” they are always in “proportio sesquialtera”. In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". The notes’ values within the “ligaturæ” are as follows. the left upstemmed notes are semibreves – the unstemmed notes are breves – the right downstemmed notes are longæ – the unstemmed notes with a double length body are maximæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.

Vertimas

Transponuoti iš Trent rankraštinio tr89. The time signatures, keys, notes’ values, accidentals and colourings are as in the manuscript. Kai laikas parašas nėra per laužtiniuose skliaustuose parašą Manoma iš konteksto. In the “tempus perfectum” the coloured notes groups containing minims are in “proportio sesquialtera”. 3 vs. , the other ones are “hemiolæ” while in the “tempus imperfectum” they are always in “proportio sesquialtera”. In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". The notes’ values within the “ligaturæ” are as follows. the left upstemmed notes are semibreves – the unstemmed notes are breves – the right downstemmed notes are longæ – the unstemmed notes with a double length body are maximæ. "Musica Ficta" pasiūlymai yra per MIDI ir MusicXML failus.