Muzikinės natos $12.95

Originalus

Polonaise Brillante No. 1. Polonaise de Concert. , Op. 4. Henri Wieniawski. Violin Solo sheet music. Piano Accompaniment sheet music.

Vertimas

Polonezas Brillante Nr.1. Polonezas de koncertas. , Op. 4. Henri Wieniawski. Smuikui solo natos. Pianinas Lydimas natos.

Originalus

Polonaise Brillante No. 1. Polonaise de Concert. , Op. 4. Violin & Piano Heifetz Collection. Composed by Henri Wieniawski. 1835-1880. For Violin, Piano Accompaniment. LKM Music. Lauren Keiser Music Publishing #S511020. Published by Lauren Keiser Music Publishing. HL.141930. ISBN 1581061943. 9x12 inches. In 1848, the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris. 1858. , the title changed to “Polonaise Brilliante”. Tremendously popular already during the composer's life time, this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition, printing the textural changes on the Paris version as foot notes.

Vertimas

Polonezas Brillante Nr.1. Polonezas de koncertas. , Op. 4. Violin & Piano Heifetz Collection. Sudaro Henri Wieniawskio. 1835-1880. Smuikui, fortepijonui lydimas. LKM muzika. Lauren Keiser Music Publishing #S511020. Paskelbta Lauren Keiser Music Publishing. HL.141930. ISBN 1581061943. 9x12 cm. In 1848, the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris. 1858. , the title changed to “Polonaise Brilliante”. Tremendously popular already during the composer's life time, this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition, printing the textural changes on the Paris version as foot notes.