Muzikinės natos $16.00

Originalus

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Vertimas

Awatovi. Fagotas natos. Klarnetas Pavieniai natos.

Originalus

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Vertimas

Awatovi sudaro Daniel Baldwin. Klarnetas, fagotas. 5 lygis. Paskelbta Įsivaizduokite muzika. IG.CMS126. Į Awatovi griuvėsiai, esantys Arizonoje, kažkada buvo klestinti Hopi kaimas, egzistuoja daugiau kaip 450 metų, kol jų pirmieji lankytojai atvyko 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, daugiau nei 150 metų, turėjo gana taikų sambūvį su ispanais po to, bet 1700, pagaliau atėjo tarp tradicionalistų Hopi ir paverstų katalikų susidūrimas. Rezultatas buvo tas, kad tradicionalistai nužudyti Atsivertėliai ir tada sunaikinti kaimą. Simboliškai, kaime sumažėjo pažymėjo Ispanijos kišimosi į Hopi gyvenimo pabaigos. Pirmoji eilutė pagal fagoto atstovauja mišrių ketinimus tų pirmųjų tyrinėtojų, vadovaujamų Coronado, ir siekiama perteikti tiek ispanų ir Native American balsus. Jis taip pat yra ateities vizija turi ateiti, klaidžioja foreshadowing iš gražiausių dar nevaisinga griuvėsiai ateiti. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Nors Coronado tirti buvo ne be konfliktų, aš nusprendė sutelkti dėmesį į taikaus pobūdžio savo misiją. Yra du skyriai čia. abu yra Ispanijos skonio, bet pirmiausia atvaizduoja tirti, o antrasis skyrius skirtas pasiūlyti laužo dainą, atspindintį tai, ką kelionė galėjo kaip nakties metu, nes jie ilsėjosi, kalbėjosi, ir dainavo. Tai veda į judėjimo dviejų. Kiva. The Kiva murals were discovered in theAwatovi ruins. Jie paveikslai atstovaujantys Hopi genčių ritualų ir ceremonijų. I have used the style of NativeAmerican flute music to portray this. Kitas yra Signalas kalnų arba El Deguello, atstovavo ir suvaidino fagoto. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Muzika pereina atspindėti tikrąją ataką, kuri vaizdavo labai disonansiškumą ir dramatiškos pereinamuoju ištrauka. Galiausiai, Kiva ratą atgal atidarymo medžiagą skirtinga tonacija, simbolinė suvokimo pereiti nuo Ispanijos Conquistador, į Hopi palikuonis. Awatovi buvo parašyta tuo pasiūlymu Mano geras draugas Ric Jones ir parėmė Richard Ramey ir iš obojui ir fagotui žaidėjų konsorciumo. Ačiū jums visiems už jūsų viziją ir remdama šį projektą,. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarnetas, fagotas ir fortepijonas versija buvo premjera 2012 IDRS konferencijoje Majamio universiteto Ohajuje Robert ir Mary Nan Jordanija Lie 9, 2012.