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Originalus

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Vertimas

Ma Nozze di Figaro "KV 492. Wolfgang Amadeus Mozart.

Originalus

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

Vertimas

Ma Nozze di Figaro "KV 492. Figaro Vedybos. Sudaro Wolfgang Amadeus Mozart. 1756-1791. Redagavo Kurt Pahlen. Tai leidimas. SEM 8007. 6th edition, 2005. Knygos. Libretų. Operos pasaulyje. Tekstas. knygelė. Tekstas kalba. Italų - Vokiečių. 345 puslapiai. Trukmė 180 min. Paskelbta Schott Music. SD.49041675. ISBN 9783254080073. Su teksto kalbą. Italų - Vokiečių. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Be libreto šis leidimas yra įvadinis komentarus Kurt Pahlen kuris taip pat prideda informaciją apie kompozicinę struktūrą ir kontekstą, kad miuzikle taip pat išorės ir vidaus dramatiškas veiksmų operos. Trumpas trumpa apžvalga ir trumpa genezės pareikšti darbą į santykį su visa kompozitoriaus kūryboje ir gyvenime, taip suteikiant išsamią, gausiai iliustruotą įvedimas.