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Originalus

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Vertimas

Gabriel Fauré. Les Djinns, op. 12 chorui ir fortepijonui. Nata. Piano, Voice, 4-Part. Patriotinio. VCE. 4PART. Gabriel Fauré.

Originalus

Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.

Vertimas

Būdamas toks produktyvus kompozitorius, ypač vokalo Kūriniai fortepijonui, Gabriel Fauré "ai muzika visuomet sprendžiamos didelių lūkesčių. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. pradėjo gauti aukštos kokybės muzikos nurodymų iš 10 metų amžiaus tuo Niedermeyer mokyklos. Jis galiausiai tapo fortepijonas mokinys Camille Saint-Saenso. Faure "s karjeros pamatė jį pavyks Theodore Dubois kaip vargonininkas su Madeleine bažnyčioje Paryžiuje ir tapo profesorius sudėties Paryžiaus konservatorijoje, visi kartu sudarantys didingas darbus. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.