Vertimas: It has been suggested that viol-playing came once more into fashion in the early years of the seventeenth century. ir 6. Dalys.
Vertimas: In the Sanctus the notes after the number “3” are in “proportio sesquialtera”. Anoniminis. Cappella. Šventasis, Mišios. Kalba.
Vertimas: išgirsti šauksmą. Williamas Knapp. Cappella. Šventasis, Karolis matuoklis. Kalba.
Vertimas: Aidas. or difficult to achieve in many choral settings, especially middle schools and smaller high schools.
Vertimas: José Torres. Mixed ensemble including basso continuo. Šventasis, Responsory. Kalba. Ispanų. SSAT.SATB. 8 Part responsories. susilaikyti.
Vertimas: From an anonymous manuscript in the library of Christ Church, Oxford. and possibly the soprano. should be used for accompaniment.
Vertimas: Composer introduces the score with the following words. Francisco Valls. 2 smuikai ir continuo. Šventasis Canon. Kalba. Latin. SS.
Vertimas: In the mercy of God.. Jonas Earwaker. Organas. Šventasis, himnas. Kalba. Anglų.
Vertimas: Ateik, Šventoji Dvasia. It should be sung at an unhurried pace, and in the 46. Pažymėti Liversidge. Cappella. Kalba. Anglų.
Vertimas: Anima mea est liquefacta. Cappella. Šventasis, motetas. Kalba.
Vertimas: Matona my dear. even in modern Italian. Cappella. Pasauliečiai, Madrigal. Kalba.
Vertimas: In places the texture vanishes to capture the solitude and loneliness. The piece ends with a sad fade on the final word.
Vertimas: Crescite vero į gratia. Jonas Kilpatrick. Vėjo kvintetas ar organas. Šventasis, himnas. Kalba. Latin. SSAATTBB.
Vertimas: , or for a concert on that day, or for any other relevant purpose in connection with St Peter. Jonas Kilpatrick. Kalba. Latin.
Vertimas: Organ part may have been added by someone other than the composer. The value of the notes in Gloria section has been halved.
Vertimas: other stanzas are inappropriate because of phrasing of the music. Supply Belcher. Cappella. Šventasis, himnas matuoklis. 86. 86. C.M.
Vertimas: Kitaip tariant. Skaitmeninis Nata.